Through analysing and doing deconstructions of the openings
of psychological thrillers, we got a lot of ideas about how to do our opening. When
planning the opening of ‘Recurrence’, we wanted it to have more substance than
many thriller film openings because we wanted to include enough story in the
opening scenes to draw the audience in. Although we wanted to stay mainly on the
normal conventions of a thriller, we wanted to also develop them. I think that
we managed to expose the audience enough so that they realised the genre was a
thriller, but I also think that we made them really wonder what is going to
happen throughout the film.
When discussing our film with people, we found that lots of people asked themselves these questions...
When discussing our film with people, we found that lots of people asked themselves these questions...
·
Is the film going to be old fashioned?
·
Who is the girl?
·
Will the film have flashbacks from modern day to
the past?
·
Will the whole story be in the past?
·
Will the girl from the opening scene reappear?
·
Why are they arguing?
·
Does the mother know she’s gone?
·
Where is she going?
·
Whose house is it?
·
How does she have a key?
·
Where is her dad?
·
Is there a relationship between the girl and her
father?
·
Why is she acting like she has never been there
before?
·
Why is she in the same place as the other girl?
·
What is going to happen next?
At the beginning of the task, I did a deconstruction of the
film opening of ‘Road to Perdition’. After doing this, I thought that the
opening of our film should have more content relevant to the story. In Road to
Perdition, the opening starts with a clip of the end of the film where a boy is
standing on the beach. The shot then changes to a clip where the boy is cycling
through the town, going the opposite way to everybody else. I think this
represents him taking you back to the beginning of the story. The long opening
doesn’t really give you a full sense of what genre the film is. In contrast, we
started with a clip from the past, whereas Road to Perdition started with a
clip from the future. In ‘Recurrence’, we wanted to start the story immediately
from the outset. We also wanted to subtly convey the girls’ family situation to
the audience to help them empathise with how she is feeling. I think doing the deconstructions really helped us to
realise what we wanted our film to be about, what target market it should be
aimed at, how much story we wanted to include in the opening two minutes
without giving too much away and how we would portray to the audience that it
was a thriller.
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