Research and Planning: Storyboard

Research and Planning: Title Ideas

Research and Planning: Mind Map

Research and Planning: Time Schedule

Monthly

November: Research
December: Planning
January: Planning/Filming
February: Post-Production
March: Post-Production/Evaluation

Weekly

Jan 2nd - 6th (Planning)
Jan 9th - 13th (Planning)
Jan 16th - 20th (Filming) [Weekend: (21st & 22nd) Film First Half]
Jan 23rd - 27th (Filming) [Weekend: (28th & 29th) Film Second Half]
Jan 30th - Feb 3rd (Filming)
Feb 6th - 10th (Post-Production)

[HALF TERM]

Feb 20th - 24th (Post-Production)
Feb 27th - Mar 3rd (Post-Production)
Mar 5th - 9th (Post-Production)
Mar 12th - 16th (Post-Production)
Mar 19th - 23rd (Evaluation)
Mar 26th - 30th (Evaluation)

[EASTER HOLIDAYS]

Research and Planning: Main Task Script

Recurrence

Script:

Fade in

Establishing shot of a Victorian house

Tracking shot leading towards the house, and the camera tilts up to the front window to reveal a young girl looking out.

Shot changes to a mid shot in the room of the back of the girl, who is still looking out of the window.

The girl moves across to the centre of the room – the camera pans as the girl walks past to kneel in the centre of the room, surrounded by candles, she holds a set of rosary beads.

She starts to pray.

Girl: Our father, which art in heaven, hallowed be thy Name. Thy Kingdom come, Thy will be done in earth, as it is in heaven. Give us thus day our daily bread.

The camera shot changes to a point of view shot of someone opening the door and watching the girl you can hear her continuing to pray.

Girl: And forgive us our trespasses, as we forgive them that trespass against us. And lead us not into temptation, but deliver us from evil-

The camera shot changes to a close up of the girl’s face, in the back is the out of focus face of the killer. She turns her head the shot changes to another point of view of the killer.

Fade out

RECURRENCE- appears on a blacked out screen as you hear the girl scream.

Fade in

Titles appear: (based bottom left) A BLS Media Production

A long shot reveals a car moving up the driveway,
Titles appear: (based bottom left) Starring: Lara Allgood, Charlotte Harris and Paul Allgood.
as the car drives past the camera pans to reveal the car parking at the front of the house.
Titles appear: (based bottom left) Produced by: Rebecca Atkinson, Sarah Harris and Lara Allgood.
The camera moves to a two shot within the car.

Paul: Cheer up, we’re here (Lara looks unimpressed/miserable) Come and help me with the boxes.

Paul gets out of the car and shuts the door,

Titles appear: (based bottom left) Edited by: Rebecca Atkinson, Sarah Harris and Lara Allgood.
The camera stays on Lara for a few seconds until she sighs loudly and exits the car. The camera follows her exit.

Titles appear: (based bottom left) Written by: Rebecca Atkinson, Sarah Harris and Lara Allgood.
The camera focuses on the door slamming loudly.

Lara walks to meet Paul at the boot of the car.
Titles appear: (based bottom left) Directed by: Rebecca Atkinson and Sarah Harris.

Paul hands her a box.

Paul: Place it on the table in the hallway.

 Camera moves to a tracking shot of Lara walking up to the house. She enters the house and places the box on the table in the hallway (there is emphasis on the box slamming.) She leaves the house again, camera tracks her as she moves back to the car, her dad hands her another box and she moves back in to the house. Point of view shot from Lara’s perspective showing that the box she originally placed in the hall way has moved from the table to further way along the floor. Paul enters from behind.

 Paul: I thought I told you to put in on the table. ?

 Close up of Lara looking confused

Lara: (under her breath) But I did.

Fade out