Road to Perdition
The titles come in with a black background, before the film starts. I think this is done so you can read the titles before the film begins and not be distracted by titles instead of watching the film (if the titles overlap the opening). The titles fade in and out in white writing, and near the end of the titles, you hear the bridge sound of waves, before you see them. The clip starts with a tracking shot getting closer and closer to the boy standing by the sea, which makes you think that someone is coming up behind him.
The non-diegetic music that is playing at this point makes you unsure of what you think is going to happen because it isn’t tense, but it isn’t calm either. It makes you feel slightly on edge as it gives you a sense that something bad is going to happen. This is called foreboding, and I think the director used this because it makes you really think about whether someone bad is going to happen or not. The scene then fades out to white and shows another scene, which makes you think that it is showing you something that has happened in the past.
The next scene is set in a cold, snowy town that is set in the 1930’s, during the ‘Great Depression’. A tracking shot is used again at the side of the boy, whilst he is cycling through the busy town. You hear calm, peaceful, non-diegetic music which could make you believe that the film is going to be a happy one, or could lead you in the right direction of realising that it is going to be a thriller. This is because a lot of directors use contrapuntal sounds in order for the audience to think a lot about what is happening or going to happen. The fact that the music doesn’t fit with the clip is good, because it is more intriguing.
The non-diegetic music that is playing at this point makes you unsure of what you think is going to happen because it isn’t tense, but it isn’t calm either. It makes you feel slightly on edge as it gives you a sense that something bad is going to happen. This is called foreboding, and I think the director used this because it makes you really think about whether someone bad is going to happen or not. The scene then fades out to white and shows another scene, which makes you think that it is showing you something that has happened in the past.
The next scene is set in a cold, snowy town that is set in the 1930’s, during the ‘Great Depression’. A tracking shot is used again at the side of the boy, whilst he is cycling through the busy town. You hear calm, peaceful, non-diegetic music which could make you believe that the film is going to be a happy one, or could lead you in the right direction of realising that it is going to be a thriller. This is because a lot of directors use contrapuntal sounds in order for the audience to think a lot about what is happening or going to happen. The fact that the music doesn’t fit with the clip is good, because it is more intriguing.